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Showing posts from February, 2010

Note: The Stylophone

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[Note 2010-02-26-1] “I was carrying with me a little instrument from the ‘60s” – said Sanders in Experimenting with Sappho’s poetry . The device Sanders describes could well be a Dübreq Stylophone , an early portable electronic synthesizer. In ‘’1968: A History in Verse [ p.209 ] he recalls buying just such an instrument in Montreal on Sept 15, 1968. He indicates this as the beginning of the Electronic Bard System effort.

EBSAddendum 1

Extra Extra: Ed Sanders’ Investigative Poetry available again - [EBSAddendum 1] - Edward Sanders’ Investigative Poetry has had a slowly percolating influence since its publication by City Lights in 1976. Over the years, Sanders has taught poetry, and this book was a mainstay of his method. It certainly influenced blues poet John Sinclair, as he began to versify on the lives of the blues saints in Fattening Frogs for Snakes [Surregional Press, 2002] – a versified history of blues. Sanders work as a poet and teacher has continued to focus on using poetry to tell history, to tell of real events, to urge the poet to do the gumshoe investigators’ legwork to’ get that story.’ You may recognize that these traits put it outside the mainstream of currently dominant trends in poetry. Example is found everyday on Garrisson Keiller’s PBS poetry reading – it’s nice but there are always words about feelings but nothing ever happens. Sanders might admit to that the investigative style is out of the ...

Experimenting with Sappho’s poetry

Sanders: I had broken up the first version of the Fugs in 1969 - I did a couple of solo records for Warners – Sanders Truckstop and Beer Cans on the Moon - then I decided I was going to fade from music - and didn’t really pay any attention to anything musical for five years. I was at Naropa Institute in 1977 - and I was teaching a course in Investigative Poetry. I had been experimenting with Sappho’s poetry - I was carrying with me a little instrument from the ‘60s – a little electronic synthesizer that weighed about a couple of pounds. Just a small synthesizer with a stylus that you made the notes with - and I had it hooked up to the old Fugs’ warm-up amp - the VibraChamp amp - which is a beautiful 1966 Fender. And Allen Ginsberg came into the room, and I sang him a version of Sappho’s Hymn to Aphrodite. And he said it was really nice and ‘why didn’t I do it like that at my reading that night?’ @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ And I had never ever-ever thought of ...