moon traveller herald

  Ran in 2008 Bo Diddley died. There are probably some competitive flamenco cats that I am not aware of - but I would rate him greatest rhythm guitar player of all time. The guitar as percussive motivator in his hands was total banshee force, but full of invention. He also had a lyrical approach that was in its turn incredibly rhythmic and original and also humorous. Mona, Who Do You Love, You Cant Judge a Book, Road Runner .. so many numbers that were part of my best days. He created a foundational style of rocknroll and he did so by reinventing the instrument called the guitar. Who would say he did not have his hand on the pulse of his time as much as the Nasa astronauts or the Beats? Say Man, Mumbles, Ride on Josephine, Cadillac, Cops and Robbers. His super session with Muddy Waters and Little Walter. An all instrumental Checker record of his I used to have. Certainly unique. Some good articles have traced his tremendous influence. Let me add a few: The Doors doing Who Do you Lo...

  CO-PILOT GENERATED IMG Calvino shared the Futurists' spirit of experimentation and their desire to break with traditional artistic conventions. While the Futurists celebrated speed, technology, and violence, Calvino was more interested in exploring the complexities of human experience in a rapidly changing world. He was wary of the potential dangers of unchecked progress and the loss of individual identity in the face of mass culture. - Gemini Generated Text  

  Dir Rbt Frank; narration Jack Kerouac; music: Dave Amram. Includes Allen Ginsberg, Gregory Corso, Peter Orlovsky, Larry Rivers. 1959

  A link to Chicago Northwestern by Juicy Lucy: https://www.youtube.com/watch?v=BlcrduUahU4 Might have heard this song on WTOS-FM [Wauwatosa] . About 5 years short of US 200th Birthday. The song was immediately resonating: As this was a rail line I often took. Took to, really. British group Juicy Lucy may have taken to the Chicago Northwestern too. There is a dark tale to tell. They morphed it in their song back to the Western Days when Liberty brought destruction to the Native Americans. You have to listen close to hear it, and I point out specifically here that this is biting satire accomplished for illumination. Juicy Lucy does not condone the terrible toll of the Beautiful Train. Shown below: That's my train.

  Dave Purvis -played by Perry Mason nemesis William Talman - is a master criminal planner who robs the Wrigley Field revenues during a ball game. THis is the other Wrigley Field, the one in L.A. for the minor league Angels. THe movie is made in 1950. The hold up goes wrong and a cop is shot and killed. A lot of forensics, radio patrol cars and wire taps ensue in a movie that moves at a clipped pace. Purvis is involved with a burlesque dancer who is easy on the eye but a genuine tough cookie. The burlesque bits pretty much seal the fact that this was a B movie. All the criminals in this noir are desperate and untrustworthy, the kind who "never gave one dime to the United Way." Like many of these movies, the interplay of black and white in cinema composition is at times stunning. While the cops persevere the general impression is that it is a mean old world. Funny thing, The TMC moderator said Armored Car toured the country on a double bill with The Good Humor Man, a Jack Cars...

I got sad news last night that a dear Boston friend died at 79. That is Walter Powers, who I came to know through my library circles [I worked at BU Library for almost 10 years- and got to know a bunch of MIT Library people, especially Gordon Thomas, who played the organ at our wedding.] He and Walter did cataloging and had little bands during academic intermissions.   Walter Powers was a real good guy. Also, a musical historian, erudite, movie star good looking, and famous in the Boston music scene. Including the so-called BossTown Sound scene. He had been in - among others - The Lost with Willie Alexander, Listening with Peter Malickand the Grass Menagerie with Doug Yule, who went on to replace John Cale in the Velvet Underground. When Lou Reed left the Velvets, Walter replaced him, and he brought in Willie Alexander when Sterling Morrison went back to college, leaving Mo Tucker the last of the originals. Tough job to replace Lou there, Walter would admit, but honestly,...