The idea of a fade speaks also for Jazz. Jazz
built on blues, had a couple of blues refreshes [MJQ, Les McCann …] but blues
gave way to swing. Finger snapping. To me the roots of jazz are as much a
commentary/statement/riff/re-imagining of American popular music from 1915 to
1955, as anything. Reflection on Bing Crosby. With swing and then just
abstraction. Jazz musicians rightly held up their music as as good as
classical, but in the process got academic. Intellectual. Young people are not
likely to relate to any of the above. All moot points. Jazz ages - the audience
is gray haired in large part. At least in this country. . If I go to see
classical music everyone has gray hair. Except the students.
Both Blues and Jazz should have more bastard children - hurry sundown.
Listen to San Francisco or Boston. The noise that is in the
air. In my opinion, the cars and planes and humming refrigerator truck of
Metropolis rules. It is a breeding place for the youth’s music, and it is a
different breeding place than the sound canvas we came up in…I know a kid
growing up in Racine was more likely to end up with a marching band or school
band instrument [or accordion, or piano lessons] than a guitar. Jazz is about
all those instruments. But today’s music, if it’s not about guitars, is about
electronic sounds, and throbbing sound of Metropolis. In the words of Bad
Bunny: "No molestar por favor." - J.V.
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